June 19, 2021

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The Met will return three African art objects to Nigeria

The Met will return three African art objects to Nigeria

This article was originally written Art Newspaper, editor of CNN Style.
Followed by recent moves from European museums restore African resources to Nigeria, where an old New York movie reported on Wednesday that it was sending three items to the country.

Two of the works, the 16th-century bronze court of Benin Court of the “Warrior Chief” and the “Junior Court Official,” donated to the museum by Klaus Perls and his wife Dolly at the museum 1991, the third place, the 14th-century “Worship Head” was recently offered by another collector to buy it at the museum.

The museum decided to return to work after research and collaboration with the British Museum, through a grant from the Nigerian National Commission for Museums and Monuments (NCMM). The two monuments are part of a collection of 153 African treasures donated by Permses to the museum over the past 30 years that include a number of jewelery, carved ivory, masks, jewelry and accessories.

Expressing his interest in this work New York Times in 1991, Klaus Perls said: “I started buying art in Africa just because I liked to see it in Picasso’s creative work of which I was an expert. It was soon , what I wanted for Benin’s art, and it became the only African art I continued to train, until, very little, it became a collective. “

Based on the museum, the tablets were removed by the British army in 1897 from the Royal Palace, now in Nigeria and entered the collection of the British Museum. About 1950 or 1951, the London office donated them and 24 other items to the National Museum in Lagos.

The works were removed from the museum building “on an unknown date and under uncertain conditions,” Met said in a press release, and sold at the international art market, where Perls bought them. Both items have already been obtained from Met.

http://www.metmuseum.org/art/collection/search/316484 Credit: City Museum of Art

The “Worship Chapter,” as it is currently, was provided with a repository for purchase by an unknown collector of Met. Fourteenth-century work from Wunmonije Compound near the palace in Ife. In 1938 an authentic Yoruba art gallery was discovered at the site, many of which went to the National Museum of Ife, many of them were out of the country, leading the Nigerian government to also carefully control the export of antiquities.

According to the Met, the head of the department “has to be the one who has to understand the rights and responsibilities given to the workers by the NCMM.” He added that the questioning took place at the home of the other known exhibition, Met then “arranged it with the seller and their representative for the ‘Worship Head’ to return to his right home.

The Met said it would hold on until the NCMM chief executive, Abba Isa Tijani, was able to travel to New York to bring them back. “We are grateful for the understanding and understanding shown by the Metropolitan Museum of Art about the causes of these recurrences,” Tijani said.

He added that Nigeria is open to opportunities “for collaboration in all its forms, including tourism and many of these great things,” and that it plans to work “with as many partners as possible” possible ”and plan as Digital Benin project, documentary of other objects from the kingdom of Benin.

Max Hollein, the head of the Met said in a statement that “the sustainability of these activities within the Nigerian national network is crucial to the well-being of the community where the archives are kept and to the development of dialogue and dialogue.” face between the Met and our Nigerian counterparts. ” Among the projects the Met would like to work in Nigeria, he added, is the Edo Museum of West African Art in Benin City.

“We welcome the development of social interactions in the world of museums, and appreciate the fair thinking expressed by the Metropolitan Museum of Art,” said Alhaji Lai Mohammed, Nigeria’s Minister of Information and Culture. and statement. “Nigeria is mandating that other museums be made aware of this art. Bewa art can be a better place if anyone with a national identity considers the abilities and influence of these people. expelled. “

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